Just as not all voiceover artists are created equally, not
all voiceover scripts are of the same caliber.
Whether you are a VO artist or you are preparing a script, there are a
few things that you should be considering to determine whether it is a script
worth reading. These are the five things
that you should be seeking as you do a first read through:
1. A
Consistent Message Whether it is a training video, a commercial, or an
audio book, there should be a consistency to the writing. No one is going to be happy with the
recording – especially the intended audience – if the message isn’t clear or
the script is difficult to follow. Be
sure, as the writer, that you know what you want to convey and keep to that
theme throughout. As a VO artist, avoid
scripts that are confusing or difficult to understand, if possible. At least seek clarification before recording.
2. Proper
Formatting This is especially important if there is dialogue occurring
within the script. Whether there is one VO artist or multiple readers, the ability of the voiceover talents will be
greatly hindered if the formatting is wrong or inconsistent.
3. Easy
Reading We’ve touched on this a little, but it is worth saying
again. When doing a final readthrough,
as the writer, or an initial readthrough, as the VO artist, be sure that you
read aloud. This can help you pick out
tricky spots. If you can’t comfortably
read the majority of script clearly the first time, it is probably not worth
taking into the studio. And DO NOT WRITE IN ALL CAPS! All caps are "visually" hard on the eyes! They also don't allow room for emphasis to be placed on any particular words or phrases. So, use upper and lower case in complete sentences.
4. No
Slashes, but Many Contractions Unless this is an extremely formal
script, chances are that the VO artist and the client are going to be happier
if contractions are used in voicing the script.
It will sound more natural and pleasant that way, so write the
contractions in, rather than expecting the VO artist to mentally make those changes
in the studio. Similarly, avoid confusion
created with symbols like a slash (i.e. he/she). The script should be written as it is to be
read (i.e. he or she). These may seem
like little issues, but when they come up many times throughout the script,
they can make the recording process a much bigger challenge for the VO artist.
5. Client
Notes There should be notes included with all scripts. Undoubtedly, there will be words, names, or
concepts that must be explained. As a VO
artist, you should be carefully considering those notes (or lack thereof). For instance, if, when reading the script,
you come across multiple names that are difficult to pronounce, but there are
no notes provided offering pronunciation, that should send up a mental red
flag. You certainly don’t want to have
your pronunciation corrected after you have spent hours in the recording
studio.
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