In many cases, when it comes to voiceover work, you will be
asked to read a sample of the script that will be used for the job you are
auditioning for. In some cases, it may
be a cold read, but it is still pre-selected material that is handed to
you. There are some auditions, though,
which will require you to bring your own material, and these can be wonderful
opportunities that shouldn’t be missed.
There are many mistakes that a person can make when selecting audition
material, however. Before you go ahead
and choose the piece you will read for the casting director, considering the
following:
Mistake #1. Choosing something that fails to showcase what
makes you unique.
It is true of you, and it is true of every voiceover talent
– within each of us, there is something that makes us different than everyone
else in the business. It is when you
recognize that unique part of you that you can really make the most of the
auditioning process. Take time to consider what makes you great and then select
material that really highlights that. It
might be the ability to shift from one dialect to another seamlessly. It may be the ability to really portray
anguish. Whatever it is, do your best to
draw it out so the casting director has no choice but to fall for you.
Mistake #2. Opting for poorly written material.
Let’s assume that this would only happen because you found
out about the audition last minute and in a panic grabbed at whatever material
you happened to have lying around.
Because, otherwise, there simply isn’t any excuse. Even this reason is weak at best. You should have a good, well-written script
always on hand in case such a situation arises.
Well-written material makes your job easier.
Mistake #3. Failing to research the potential client.
It still amazes me that people make this mistake, but they
do. If you walk into an audition
completely blind to who you are reading for, how can you possibly showcase the
aspects of your talent that will best suit the job? You can’t.
So, don’t try it. Take the time
to do some research into the client and, if possible, into the type of work
they are proposing.
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