The voice over industry has changed dramatically over the last 10 years. Competition has gone up, with more actors looking for jobs than ever before. However, there’s also more work out there, with the rise of video game voice over and other niche markets. So with all this competition and, thankfully, available jobs, how can you ensure a steady flow of work for yourself? Well, one way is to view your clients as long-term fixtures in your career, rather than simply seeking a short-term gain from them.
There are a few reasons why it is advantageous to you to
enter into professional relationships with a focus on the long haul. One is that you increase your chances of getting
and maintaining a regular work flow when you’re working with known
clients. When your clients know and
trust you, and are familiar with your skill set, they’re more likely to keep
throwing work your way. Another benefit
goes toward your reputation. Long-term relationships with clients tell other
prospective clients that you are an experienced professional who works well
with others. Finally, working with
clients long-term also creates a smoother, more efficient working relationship,
with both of you understanding each other’s needs and communicating more
effectively.
So how does a voice over actor cultivate these long haul
relationships? Well, the first step is
to do your homework on potential clients.
Make sure they are legitimate companies that will pay as promised. The
fastest way to upset a voice over actor and destroy a working relationship is
to not make payments for completed work.
Don’t become a victim – check references and do what you can to ensure
the new client can pay up when it’s due.
Another necessity for maintaining long-term working
relationships is to be upfront and honest and expect the same of your
clients. Establish this in the beginning,
and be sure that effective communication plays a role in every exchange. Many
actor-client relationships have ended prematurely simply because the parties
didn’t know how to communicate well.
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